Kroeger may claim that "S is for the simple need/E is for the ecstasy" in his middle-school chant "S.E.X.," but there is no joy in his carnality, just bleak veiled violence, and that nasty undercurrent undercuts his pleading lovesick ballads he's either had his heart broken by those loose women, or he's singing to the good girl left at home while he's out on the town.
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Underneath the housewife-hooking power ballads - "I'd Come for You," "If Today Was Your Last Day" - plus "Just to Get High," an ode to a fallen junkie friend that's part of the proud tradition that stretches back to at least Body Count's "The Winner Loses," Dark Horse seethes with ugly misogyny, as Kroeger trots out a parade of dirty little ladies in pretty pink thongs, porn stars, strippers, and sluts, all of whom are desired and despised for showing too much skin. Watch Chad talk about his house here! Could be better than the real thing.These two sounds have been the group's trademark for a while now, ever since Kroeger started plumbing the depths of his shallow soul to spit out invective toward lovers and fathers on 2001's Silver Side Up, but stardom has stripped away all lingering angst, leaving behind slow songs about love and fast songs about partying, all designed to woo women he'll later hate. I’m not sure Chad Kroeger can even spell shover chauver chauvinism. Since with some help Nickelback can now present consistently decent tunes, maybe next time they’ll get someone clever in to help write the lyrics. Mutt Lange’s work is the best thing about this record.
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Hmmm, a song about partying and drinking, on an album full of crass songs about girls? I sense a midlife crisis. Sure, as expected, the lyrics are plain dumb, but at least this time Kroeger’s not thinking with his nob. The ‘hey’ vocal here is surely a sample (1000 Joe Elliotts?) overall, the end result is a winner. ‘Burn It To The Ground’ matches a hard driving riff with a huge chorus. During several other songs, Kroeger makes other lewd sexual references which spoil otherwise decent tunes. During ‘Next Go Round’ Chad Kroeger sings (seemingly without irony) about doing it ‘until good and sweaty until can’t stand up’ and how he wants to be ridden ‘up and down the lawn’ (presumably like a tractor, since he name checks John Deere). With regard to the tunes which follow,‘Dark Horse’ there’s some enjoyable tunes, but excrutiating lyrics throughout spoil any chance of it ever being a decent record. I’m not gonna go into details, but let’s just say Kroeger sings about strippers – and not in a fun way.
This opening song is called ‘Something In Your Mouth’. From the crunch of the opener it’s a good attempt at an attention grabber with a meaty riff in tow, but sadly, Chad Kroeger is an appalling lyricist and here he peddles out a bunch of smut that would make even Mötley Crüe cringe.
The album utilises all of Mutt Lange’s best tricks, and thanks to his partial presence, the band’s music has moved from tired sounding post-grunge, to more classic sounding hard rock. He takes them and puts them into his special machine (the Mutt-o-tron™), shouts “Red light, yellow light, green light, GO!” and presto – everything comes out bigger, shinier and with extra Def Leppardy backing vocals.Īnd so it is with Nickelback’s ‘Dark Horse’. Bands knock on the door of his lab with their master tapes. I have a friend who has a theory: Mutt is a mad scientist. He has a trademark approach where he’ll beef up the sound and add lots of backing vocals (look no further than classic Def Leppard for the best examples) he’s even used that approach to some extent on Shania (ex-Mrs Mutt) Twain albums. He’s worked with Def Leppard (‘Pyromania’, ‘Hysteria’), Bryan Adams (‘Waking Up The Neighbours’) and AC/DC (‘Highway To Hell’, ‘Back In Black’) and a whole bunch more. For the three of you who don’t know, Mutt Lange is a production legend. ‘Dark Horse’, their sixth album, has something instantly in its favour: it is the first Nickelback album to be part-produced by Mutt Lange.
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